Starting from Zeenat Aman's infamous transparent sari scene in ‘Satyam Shivam Sundram' to bikini clad Parveen Babi in 'Yeh Nazdeekiyan', ‘The Xpose' has a plethora of sensuous and seductive recreations but the film ends up exploiting and mocking the intimacy that possessed a class during the bygone era.
The flick, painting the 60's era, predominantly covers the sleazy side, the style of to-die-for stars and their tantrums beside a mystifying storyline, which pretends to be too mysterious solving a murder case.
The director has to understand that the cordon of sleaziness, one-liners and music can't protect the weak screenplay but surely it can end up in derision by its viewers.
