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  5. Praise for Begum in ‘Gulabo Sitabo’ makes me happy: Farrukh Jafar

Praise for Begum in ‘Gulabo Sitabo’ makes me happy: Farrukh Jafar

Farrukh Jafar plays the 95-year-old wife to Amitabh Bachchan’s 78-year-old Mirza who is awaiting his Begum’s death to finally own Fatima Mahal, the derelict mansion at the centre of the conflict in the movie streaming on Amazon Prime Video.

PTI Reported by: PTI New Delhi Published on: June 20, 2020 15:22 IST
Praise for Begum in ‘Gulabo Sitabo’ makes me happy: Farrukh Jafar
Image Source : TWITTER: @JUNAID05

Praise for Begum in ‘Gulabo Sitabo’ makes me happy: Farrukh Jafar

At 88, actor Farrukh Jafar, whose scene-stealing turn as Fatto Begum in “Gulabo Sitabo” is the highlight of the movie, has retained her childlike enthusiasm and love for camera, which she considers as the secret behind her acting.

“I never feel nervous in doing any role. I only see the camera and my role and nothing else. That’s my secret,” the actor told PTI over phone from Lucknow.

Jafar plays the 95-year-old wife to Amitabh Bachchan’s 78-year-old Mirza who is awaiting his Begum’s death to finally own Fatima Mahal, the derelict mansion at the centre of the conflict in the movie streaming on Amazon Prime Video.

Begum, with her quick repartees and a fondness for Pandit Jawaharlal Nehru, keeps a tight control over Mirza and is responsible for the film’s surprise twist in the final moments. Jafar said director Shoojit Sircar and writer Juhi Chaturvedi came to her home in Lucknow to offer her the part.

“I am a big Amitabh Bachchan fan. I was like ‘Wah! I will get to work with a superstar. I had his romantic image as the star of ‘Silsila’, a tall and handsome guy but in this film his get-up was ugly. He was playing Mirza with a fat nose and big beard,” she said.

“Shoojit told me ‘Please forget that he is Amitabh Bachchan. He is the greedy, old Mirza and you are his wife, Fatto Begum’. I immediately understood what he meant.”

The actor said she had hoped to talk to Bachchan on the sets but the actor would disappear after doing his scenes.

One of the first radio announcers of Vividh Bharti Lucknow in 1963, Jafar made her acting debut with 1981 movie “Umrao Jaan” where she played Rekha’s mother.

After her debut, roles in TV shows beckoned but it was Shah Rukh Khan-starrer 2004 film “Swades” that gave her a memorable second innings in Bollywood.
In 2010, she starred in “Peepli Live” where her expletive-laden rants as the bidi-smoking mother-in-law made her an instant hit.

She followed it up with roles in Salman Khan-starrer “Sultan”, Aamir Khan-starrer “Secret Superstar” and “Peepli Live” co-star Nawazuddin Siddiqui’s “Photograph”.
Jafar said she also wanted to work with Irrfan Khan but with the actor’s untimely death in April this year, it is no longer possible.

“I wanted to work with Irrfan but he left us early. I really liked him. Nawazuddin is like my child. I met him during ‘Peepli Live’. Nobody recognised him then but he has now become famous. I got to work with him again in ‘Photograph’,” she said.

The actor credits radio for giving her a career as a performer.

“I had a relative who needed a job. I told her I cannot do much but I know someone in the radio so I will take you there. We went there and ‘mujhe vahan ka mahaul bahut achha laga’ (I really liked the atmosphere there). I asked them whether I could also read the script. They said I could. I started reading and later got to know that I had been selected,” she recalled.

The actor is happy that her performance is being appreciated.

“Maine suna ki Begum baazi maar le jaati hai picture mein. ( I have heard that Begum outruns everyone in the film). Such praise about my character makes me happy,” she added.

Jafar, who was married to journalist-politician Syed Muhammad Jaffar and has two daughters -- Mehru and Shaheen, said her bond with camera always pulls her towards cinema.

“I will keep acting if I get good offers. When the camera is on, I forget everything,” she said adding that some of her projects are currently stuck due to the coronavirus situation. 

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